SERVICE

Audio Post-Production & Spatial Engineering

Where clinical precision meets narrative sound design. Specializing in surgical dialogue restoration, custom foley design, and native Dolby Atmos productions for international cinema and streaming platforms.

Film & Broadcast Post

Loudness Compliance / Broadcast Mixing / QC Reporting

Dialogue & Spoken Word

Vocal Mastering / Surgical Restoration / Creative Sound Design

Distant Horizons

Immersive Arrays / Ambisonics Routing / Narrative Soundscapes

Film & Broadcast Post

Specs-first audio post-production for film, broadcast, and documentaries, combining surgical dialogue restoration and narrative sound design with strict LUFS mastering compliance.

Strict LUFS Loudness Auditing Broadcast Compliance Dialogue Clean-Up

Moral Object

An eerie short horror film by Dan Moss, featuring my dark & suspenseful sound design.

Deliverables
Stereo Mix, Dolby Atmos Mix, Sound Design Stems
Role
Location Sound Recordist, Sound Designer, Mixing Engineer

Common Connections

Before-and-after audio supercut showcasing surgical dialogue restoration executed via iZotope RX for this Glastonbury Festival documentary.

iZotope RX Audio Restoration

Dialogue & Spoken Word

High-fidelity dialogue editing and mastering for audiobooks and spoken word projects, engineered for absolute voice clarity, clinical noise floor restoration, and strict platform compliance.

Voyage FM - radio programme

Specs
EBU R-128, 24-bit / 48kHz
Tools
ProTools, iZotope RX, Synthesis

Pocket FM - Test Production (German)

Tools
Ableton, Foley, Synthesis, Push 3
Company
Pocket FM Germany
The In-Between Coming Soon

The In-Between

Upcoming horror audiobook production featuring immersive sound design and an eerie original score.

Distant Horizons

Headphones Required

An ambisonic audio-visual installation exploring perception, distance, and loss, mixed and mastered entirely for a custom 4.1.4 immersive speaker array.

Distant horizons

Ambisonics Installation 4.1.4 Immersive Mix Spatial Sound Design